Hungry Like The Wolf

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The Hunger was my first stop-motion animated short, which I made with friends at University. It’s a twisted take on the Red Riding Hood fairytale.

There were two main sets involved in the production. One was the forest (pictured above) which we created using a combination of cardboard cut-out trees and papier mache trees on a base of fake grass. We also created a simple backdrop of the night sky, including a light up full moon in 3D relief. We wanted everything to look quite homemade and infantile, as it was an adult take on a children’s story.

I had worked on some basic claymation experiments prior to this, but the Big Bad Wolf was my first fully articulated puppet with an armature. I used styrofoam to shape and bulk out the wolf, whilst keeping the puppet light. I gave him large rounded shoulders, and sank the neck into his chest to give him a more hunched appearance. His posture really helped to bring the character to life, as it informed how the puppet would move. The wolf is hunched over as he creeps through the forest, but he is also a comedy character and so he is cumbersome and loud as he stalks Red Riding Hood.

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We had fun reversing the idea of the Big Bad Wolf, and turned him into the unwitting prey of our Red Riding Hood/Princess character. As the wolf stalks her, he fails to realise that she is luring him into a trap.

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Red Riding Hood kidnaps the Wolf and drags him back to her castle, which was the second set we built for the production, using a combination of fabrics, paper linings and decorations from Doll Houses. Once she has the Wold entrapped in her room she produces a pair of clippers and begins to shave the unconscious wolf, revealing a man beneath the fur.

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The clippers were a puppet in their own right. We produced the effect of the blades moving by creating removable blades of varied lengths that we could alternate in each shot. For ease of animation we made a small pair of clippers for the full sized puppet to hold, and then a larger, moving version in an enlarged puppet hand, which we filmed in extreme close-up. This was one of my favourite shots in the film because of the exaggerated shadow. It has a very B movie feel in its melodrama.

Here is the full film so you can see it all in action plus there are more shorts at my YouTube page.

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