October meant one thing – zombie time! After having such a great time at last year’s Beach of the Dead, my friends and I were really excited about attending this year. Our zombie wedding theme from 2010 was fun, but we saw a lot of zombie brides that day and wanted to try something a bit more original for 2011 and decided to go as the Zombie Village People.
As you can see from our lineup we were missing a couple of members. Organising a group theme is tricky and our Leather Man, G.I. and Traffic Cop ended up dropping out at the last minute. We were left with Laurie as the cowboy, Roisin as the Indian and myself as the Builder. Later in the day my friend Sam stood in as our Leather Man because she had a leather jacket on. Clearly some people aren’t as dedicated to zombieness as others, but we were determined to make the most of it and we still had a great day.
I put more work into my base coat this year. I used black face paint and purple tones from my bruise wheel to shade around my eyes, contour my cheeks and give my lips a cold dead blue tint. I then coated myself in a thick coat of white face paint and blended the colours together. I picked up some of the purple bruise wheel on my sponge as I layered the white, which created a nice grey blue hue.
In my camp builder outfit I was showing a lot more flesh than last year so I had to paint my neck, arms and legs too. You can see my short shorts in this photo. Thankfully the weather was great for October so I could survive being exposed to the elements for a few hours.
Once my base coat was complete I used my red eyeliner to give my eyes a sinister, unhealthy look, which contrasted really well against the blue and white. I decided to use less latex than last year and created lesions in the usual way by layering it up, ripping it open and then applying reds, purples and finishing up with fresh scab.
I used left over latex from last year and I think this was a mistake as it had a gloopy consistency and went a bit yellow when it dried. It wasn’t as sticky as usual and the finish was more uneven. This wasn’t so bad though as it added to the decaying look. I’ll be sure to use fresher latex next time though.
We had a new kind of viscous blood in our kit this year that was great. It partially dries but remains glossy. It created a great dripping blood effect as it would run off wherever you applied it and then dry in big dangling drips. You can see some of it on my face above and I also had some on my knee.
BEACH OF THE DEAD 2010
If you don’t know by now, I love zombies, so I jumped at the chance to take part in Brighton’s zombie crawl, Beach of the Dead. I’d had a lot of fun designing zombie looks for the short film Outbreak, but this was the chance to turn my makeup brush on myself as I descended on Brighton seafront with my zombie friends.
This was our first year at the zombie crawl as work and other commitments had kept me away in previous years. We opted for a zombie wedding theme. I was the groom (that’s me in the suit) and my bride and I were accompanied by a nun, a vicar and a bridesmaid. Getting ready in the hotel room was hilarious, by the time we were finished the bathroom looked like it belonged in the Bates Motel.
I love working with latex so I decided to go with the broken skin look that I developed on Outbreak, with the addition of some creepy white contact lenses. I also did the makeup for my friends Tam and Laurie, the vicar and nun after my makeup artist friend (and zombie bride) gave us a base coat of white with her airbrush kit.
I spent a lot of time thinking about creating the look for the day, and getting organised early in the morning. What I hadn’t really thought about was the parade aspect of the day. My friends and I were all quite taken aback by the amount of spectators that turned out to watch us zombie our way down to the seafront. It was a bit intimidating having so many people watching me and taking my picture. I’m usually the one behind the camera! Wearing so much makeup felt like a protective layer though, like hiding behind a mask. I got into character and just got on with it and was quite surprised to see pictures of myself popping up online after the event.
Here is one taken by Samuel Justice at the start of the day and another by Dogtemple, which was taken towards the end of the night after peeling had set in! Both photographers have been very kind in letting me repost their work here.
When Worthing Youth Media received funding from First Light, we made three very different short films. The zombie film Outbreak, which I have discussed in previous posts, the animated comedy Happy Cloud, which I will explore in my next post, and the moving drama Teenager. Teenager is the story of Sidney, a 15 year old boy trying to make decisions about his future whilst struggling with a difficult home life. The film was much darker in tone than the other two projects, dealing with issues of alcoholism, drug use and domestic violence.
As with Outbreak, I worked with the Art Department sourcing props and costumes, and dressing the set. In contrast to Outbreak, this film required a level of realism. The key was to make the family’s flat look lived in – food in the cupboards, clothes in the wardrobes, family photos (see opening credits) and also convey the general disarray of their lives. The cinematography of the film followed the action very tightly inside the flat. It’s a very claustrophobic place. As such, the set details had to be subtle, to provide a lifelike backdrop without detracting attention from the story.
You can learn a lot about characters from the environment they inhabit and so it is important to dress spaces to reflect the personalities of the characters, as you can see from the screenshots below of Sidney and Cassie’s bedrooms.
I was also the makeup artist for the film, and my main job on set was to create injuries for Sidney’s mother, Ann, played by Alison Vermeeren.
The film begins in the wake of a big fight between Ann and Sidney’s stepfather Daniel (played by Andrew Elias) in which she has been badly beaten. The script specifies that Ann has a black eye after the fight, and severe bruises.
To create the effects for the film I used a bruise wheel and fresh scab, which are the most versatile items in my makeup kit. The initial look was intended to be the most shocking. I used red tones to create a swollen look around the eye, forehead and mouth. Applying fresh scab with a paintbrush and stipple sponge I created the illusion of grazing on the nose, brow and cheekbones. When someone is punched hard in the face, the skin tends to break around the areas where bone protrudes, such as the bridge of the nose, the cheekbones and the brow. I also used the scab to give Ann a nosebleed and a broken lip.
In the above shots from the makeup room the colours look very bright, but they looked more subtle onscreen as the film was shot with a low exposure and was given a muted colour grading in post production.
It is evident in the script that this is not the first time that Sidney’s parents have fought like this, so I also worked to create a range of older looking bruises on Alison’s arms. The bruise wheel is very effective for blending colours to create different stages of bruise, and can also be used very faintly to create old bruises that appear to be healing. I painted bruises onto Alison’s neck, collarbone and arms, including bruising patterns such as marks from being grabbed or held firmly.
The challenge with the makeup for Teenager was that the main action of the film takes place across a period of about two weeks, meaning that the injuries sustained in the first scene needed to be shown to be healing in each new scene.
The first makeup change was very slight, as it was for a scene the next morning. I reduced the redness of the bruising around the eye and the mouth to reduce the visible sting of the injury. I toned down the highlights within the bruise around the eye, then deepened the purple to show the bruise developing as well as blending it out more around the edges and mixing in dull mustard colours. I used red eyeliner to make the eye look sore and the eyelids puffy. I also decreased the bloodiness of the grazes around the mouth, eyebrow and nose, as Sidney’s mother would have had time to clean herself up by this point.
The next scene involving Sidney’s mother takes place a few days later. For this I reduced the severity of the bruise a great deal by reducing the size of it and the intensity of the colours. I used a lighter layer of the purple, darkening it in the corner of the eye and blending out from that point, before adding yellow and a touch of green. I developed the grazes into scabs that frame the injury along the main points of impact and reduced the swelling around the lips.
A scene from later that day features another fight between Daniel and Ann, which leaves Ann bleeding. The crew filmed the majority of Teenager‘s scenes in long takes, so Alison had to keep the blood in her mouth until the end of the scene for when her lip begins to bleed. I had to stand behind the camera with the blood so that she could take a swig between takes.
The final appearance of Sidney’s mother is in a montage at the close of the film. The scene takes place some time later, perhaps a matter of weeks. The bruises seen earlier in the film have healed but she has clearly obtained more. I created a bruise on the forehead as if she had hit her head falling over, a bruise to look like a blow to the chin, subtle bruising around the eyes and another bloody lip.
The makeup room is usually a fun place to be on set. Transforming people’s looks can be a real novelty, especially working on something extreme like a zombie film. This was quite a different experience, though. Once I finished Alison’s makeup on the first morning it had quite a sobering effect on everyone. This wasn’t extreme gore or slapstick, it was a serious film about things that really happen to people. It was quite unpleasant to depict suffering in that way. We were only playing at it, but there are a lot of people in the world who are living with abuse, and carrying bruises that they can’t wash off at the end of the day.